The Met’s holdings have globalized, to be sure. Inside the Met Breuer, a landmarked building in the Brutalist style, the restaurant caters to a wide range of guests, from those who want a simple bite after seeing the art to … We already have this email.
Met Breuer is a bit different from other museums as they seem to be focused on more special exhibitions as the main Met on 5th avenue holds most of the house arts, which I thought it works out well.
Thanks for subscribing! The early Met, like the nearly contemporaneous art museums of Philadelphia, Boston and Chicago, scored rather higher on aspiration than connoisseurship.The earliest purchases in “Making the Met” include a fine marble bust of Benjamin Franklin, by the Revolutionary-era French sculptor Jean Antoine Houdon, but also misattributed old masters, replicas of European sculptures, and thousands of Cypriot antiquities that its first director, Luigi Palma di Cesnola, excavated with something less than scientific rigor. The Met Breuer Architecture Tour. Take a guided tour to learn more about the exhibitions on view at The Met Breuer. Visible through the window is the obelisk “Cleopatra’s Needle” in Central Park.Manet’s “Dead Christ With Angels” (1864), in which Jesus is seen hovering between life and death. Halfway through the eight-year lease, however, financial troubles compelled The Met to sublet the space to The Frick.During its brief existence, The Met Breuer developed a program of Its most recent exhibition, a survey of Gerhard Richter, was also meant to be its last—the icing, as it were, on the cake for The Met Breuer's farewell party. They set out to “convert pork into porcelain,” in the rather gauche words of one early museum trustee — and “Making the Met” has heaps of their finest donations, from an exquisite Picasso’s 1913-14 “Woman in a Chemise in an Armchair,” whose disjunctive articulations of arms and breasts owe debts to West African statuary, is another new arrival; Leonard Lauder delivered it last year, part of his promised gift of Cubist painting that has beefed up the holdings of a museum once frightened of modernism.The transformative Impressionist gifts of the Havemeyer family (whose fortunes, a text here acknowledges, were made in the brutal sugar trade) take over nearly a whole gallery in this show. Visit Installers hanging works in the European Paintings Galleries at the Metropolitan Museum of Art in November 1928. Here is a legends-only mini-Met, which can be appreciated on the surface as a supersaturated treasure house. We already have this email. The Met Breuer, its four-year, hit-and-often-miss satellite, closed with a whimper; its meticulous last show, of the German painter Gerhard Richter, saw the light for just nine days. Try another? It was a little too … Delayed by five months, the Met’s 150th-anniversary exhibition is a “legends-only mini-Met,” Jason Farago writes.The opening gallery of “Making the Met, 1870-2020.” From left: a 19th-century Mangaaka power figure from the Kongo kingdom; Vincent van Gogh’s “La Berceuse (Woman Rocking a Cradle)” (1889); Isamu Noguchi’s “Kouros”; Rodin’s “The Age of Bronze (L’Age d’airain)”; and Richard Avedon’s 1957 photograph of Marilyn Monroe.Body mask, from the mid-20th century, created by the Asmat people of New Guinea.
The show’s horn-blowing prologue, where van Gogh and Rodin appear with a nail-studded Mangaaka power figure from the Kongo kingdom and a Richard Avedon photograph of Marilyn Monroe, testifies to the unparalleled strength and breadth of the Met’s collection, first modeled after European museums and now outclassing them.For visitors returning after five months, the catholicity of these galleries will be a treat. Get us in your inbox Look out for your first newsletter in your inbox soon!© 2020 Time Out America LLC and affiliated companies owned by Time Out Group Plc. Discover more about this iconic building, its remarkable history, and its architect. Stop before “Night-Shining White,” an energetic scroll painting of a bucking steed by the Tang Dynasty painter Han Gan, and scrutinize the white horse’s bristling mane and flaring nostrils. Our critic calls it “one of the most staggering paintings in the whole museum.”An installation view of some of the Islamic acquisitions, including, from left: the end of a balustrade; on the wall, a folio from “Hamzanama (The Adventures of Hamza)”; two folios, one from the Shah Jahan Album and the other from the Shah Jahan Album; and an early 17th-century “Pierced Window Screen (Jali).”“Night-Shining White” (circa 750), a scroll painting of a bucking steed by the Tang Dynasty painter Han Gan.An installation of “Making the Met.” On the far back wall is El Anatsui’s “Dusasa II,” 2007.A wall case contains a dizzying array of intricate pieces, including an Islamic glass bottle, alabaster figures, and a book cover with ivory figures from before 1085.
I came in tonight for a private membership viewing of the new Gerhard Richter exhibition. Here it functions almost as an emergency brake, appearing with Courbet’s lusty “Woman With a Parrot” (1866) and one of Monet’s first plein-air riverscapes, “La Grenouillère” (1869), but also with Havemeyer donations like opalescent Tiffany vases and an impression of Hokusai’s “The Great Wave,” circa 1830-32.During World War II, several museum officials joined the effort to save, catalog and restitute art looted by the Nazis. For the Met’s primary challenge in 2020 is not what to buy. There is always something new here to do or see. On March 18, 2016, The Metropolitan Museum of Art opened The Met Breuer, its new space dedicated to modern and contemporary art.
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